Headshot
by Louisa Vilardi

The Adventures of Holly and Snowflake
(Dancing Squirrel Productions)
as Snowflake

Alice and the Wonderful Tea Party
(Santa Monica Playhouse)
as The Queen of Hearts

Rapidfire International's US premiere of "Alice in Wonderland"

All About Santa
(Santa Monica Playhouse)
as Mrs Cookie Claus

Billy Bonfire
(Ripley-Young)
as The Medic

photo by Louisa Vilardi

A Christmas Carol
(American Shakespeare Center)
as Beggar Boy / Fan Scrooge

The Cure to Mortality
(Hollywood Fringe Festival)
as Dr Colbert / director

Das Rheingold
(Metropolitan Opera)
as Nibelung

Drempels
(Santa Monica Playhouse)
as Narrator / Medusa

Frankenstein
(Write Act Repertory)
as Justine Moritz

Frankenstein
(Write Act Repertory)
as Justine Moritz

Funny Girl
(Paper Mill Playhouse Rising Star Award nom.)
as Fanny Brice

Guys & Dolls
the littlest Big Jule

Happy Hour
(Michael Chekhov Theatre Company)
sketches

IonOrestes.jpg

Lily Marlene
(Write Act Repertory)
as Countess Marlena Kellsberg

"Little Women" promo: A Tik Tokker asked, "The women are put in very traditional gender roles, aren't they?"
Professor Nogender (here) answered: "I think a main reason this story is so loved is because the four main characters have four different relationships to gender identity.
The protagonist hates that she was born female, identifies with male characters, and her ambitions are in spheres reserved for men—and she uses "male"-coded strategies to accomplish them!
One sister is agender: her two loves are her family, as a sibling, and music, in private. Actually, being born female might help her stay in private; if she were a boy, he might have been pressured more into public life.
The two remaining sisters do inhabit traditional female roles, but the eldest does sincerely, wanting to embody the aesthetics and values; while the youngest does strategically, seeing how she can use society to maximize control over her life.
A lot of literature from the time can seem to show/celebrate only one kind of woman (if any); but we know how varied representation can affect people, sometimes to validate and expand possibilities."

"Little Women" - Jo shows her family her first published story

"Little Women" - March women portrait (through the ages)

Love in the Key of C# or Bb
(Santa Monica Playhouse)
revue

The Marriage of Figaro
(Vassar College)
as Susanna

Melancholy Play
(Vassar College)
as Julian the Cellist

The Moor's Petard
(The Queens Players)
as Elmira

(mostly)Musicals: Takes Flight
concert

Pinkalicious
(Vital Theatre Co.)
as Alison (orig. role) & Pinkalicious

Rehearsing for Oscar
(Center for Performing Arts at Rhinebeck)
as Ruthie

SeaWife
(The Lobbyists & Naked Angels)
as Child Percy / Abel / Cellist

She Loves Me
(interACT Productions)
as Ilona Ritter

Simon the Invisible Boy
(Ritual Theatre Co.)
as Ms Clancy

Snowhite
(Santa Monica Playhouse)
as Rapunzel -> Queen

Sweeney Todd
(The Strollers)
as Johanna

Taming of the Shrew
(Hudson Shakespeare Co.)
as Katherina

The Tempest
(C.A.G.E.)
as Ariel

The Timid Dragon
(The Strollers Children's Production)
as director

Twelfth Night
(American Shakespeare Center)
as Fabian / cellist / singer

The Twelve Dates of Christmas
(American Shakespeare Center)
as Doo-wop Girl [Greek Chorus]

Urinetown
(The Strollers)
as Little Sally

The Very Hungry Caterpillar Show
(DR2 Theatre / Boo at the Zoo)
as Storyteller

Promo photo for audiobook: "We Don't Talk Anymore and Other Dark Fictions" by J P Behrens, narrated by MG

Woyzeck Musical Deathmetal
(Gorilla Rep)
as Grandmother

You Can't Take It With You
(interACT Productions)
as Essie Carmichael

Old headshots:
Main (blue) shot by Laura Marie Duncan;
Hobbitshots by Laura Marie Duncan;
Redshot by Caroline White;
Pinkshot by Laura Marie Duncan